Transforming History examines the profound transformation of historical thought and practice of writing history from the late Qing through the mid-twentieth century. The authors devote extensive analysis to the common set of intellectual and political forces that shaped the study of history, from the ideas of evolution, positivism, nationalism, historicism, and Marxism, to poli...(展开全部)

Frederick Mote, one of the twentieth century's most prominent Sinologists, has written a historian's memoir that uses observation and personal experiences to understand the intellectual and social transformation of China. Mote's thought-provoking narrative distills his reflections on modern China and details change in Chinese historical studies in the twentieth century. Mote as...(展开全部)

At the end of the nineteenth century, some physicists believed that the basic principles underlying their subject were already known, and that physics in the future would only consist of filling in the details. They could hardly have been more wrong. The past century has seen the rise of quantum mechanics, relativity, cosmology, particle physics, and solid-state physics, among ...(展开全部)

The twentieth century was the most destructive in human history, but from its vast landscapes of ruins was born a new architectural type: the cultural monument. In the wake of World War I, an international movement arose which aimed to protect architectural monuments in large numbers, and regardless of style, hoping not only to keep them safe from future conflicts, but also to ...(展开全部)

本杰明·艾尔曼（Benjamin A. Elman）1946年出生。1968年获美国汉密尔顿学院学士学位，1980年获宾夕法尼亚大学东方学博士学位。1992-1997年任加州大学洛杉矶分校历史系学术副主席，1992-1999年任该校《中国科学》杂志编审，1997-1999年任该校中国研究中心主任。1999-2001年，艾尔曼作为梅隆访问教授在普林斯顿高等研究院从事传统中国文明研究。2002年，正式出任普林斯顿大学东亚系和历史系教授。他的教学和研究领域包括：中国思想与文化史，1000-1900年：中华帝国晚期科技史，1600-1930年；中日文化学术交流史，1600-1850年。艾尔曼教授著述颇丰，著作主要有：《从理学到朴学：中华帝国晚期的思想与社会变化面面观》（1984年第1版，2001年第2版）、《经学、政治和宗族：中华帝国晚期常州今文学派研究》（...(展开全部)

本书是美国著名中国现代美术史学者安雅兰1998年在纽约古根海姆博物馆策划的大型展览“危机中的一个世纪:20世纪中国艺术中的现代与传统”的展览图录。该展览试图对一个世纪以来的中国艺术作一次概括性的回顾和总结。在书中作者把现当代中国美术划分为四个时期，即“中国画的革新，1850一1950";“现代主义者，1920-1950";“新中国艺术，1950-1980";以及“传统的改造，1980至今”，并分别描述和分析了各个时期的风格特点以及其时代特征。 Between 1850 and today, China has undergone an unprecedented series of shocks and transformations. This dramatic period -- which has seen urban industrializ...(展开全部)

This book, the third volume of Donald Kelley's monumental survey of Western historiography, covers the twentieth century, especially Europe. As in the first two volumes, the author discusses historical methods and ideas of all sorts to provide a detailed map of historical learning. Here he carries the survey forward to our own times, confronting directly the challenges of postm...(展开全部)

The ancient story of King Goujian, a psychologically complex fifth-century BCE monarch, spoke powerfully to the Chinese during China's turbulent twentieth century. Yet most Americans—even students and specialists of this era—have never heard of Goujian. In Speaking to History, Paul A. Cohen opens this previously missing (to the West) chapter of China's recent history. He connec...(展开全部)

This book is a comprehensive survey of the structure, organization and institutionalization of local community religious traditions in north China villages in the twentieth century. These traditions have their own forms of leaders, deities and beliefs. Despite much local variation one everywhere finds similar temples, images, offerings and temple festivals, all supported by pra...(展开全部)

Making Religion, Making the State combines cutting-edge perspectives on religion with rich empirical data to offer a challenging new argument about the politics of religion in modern China. The volume goes beyond extant portrayals of the opposition of state and religion to emphasize their mutual constitution. With chapters written by experts on Buddhism, Protestantism, Catholic...(展开全部)